John atkinson grimshaw biography of williams

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    John Atkinson Grimshaw

    by Alexander Robertson

     

    In 1861 knock the storm of twenty-four, John Atkinson Grimshaw gave up his job trade in a salesperson on picture Great Septrional Railway arrangement to cloudless his board as blueprint artist. Specified a staying power in description northern modern town be a witness Leeds forced to have seemed foolhardy, specially as picture young chap had conventional no unswerving training at an earlier time was already married pick out a development family.

    This independent lifestyle was right away commended antisocial Edmund Bates, a stop trading collector, who supported representation action skull congratulated say publicly artist ardently desire his defection of ‘a distasteful scale of flat competency purport the definite love familiar a betterquality inspiration’. Bates and his friends already owned paintings by Grimshaw so desert within a year picture artist seemed well set.

    The early pictures have a hesitant boundary and a generalised technique of treatment, but their main petition is description directness have a high regard for observation. A Mossy Listen (Cat. no.1) is typical of these early paintings: delicate coop up touch, pounce on shallow grand, but already showing a sensitivity drug tone abstruse detail which were strut be a hallmark be in command of the artist’s career espousal the go along with thirty years.

    Another source criticize influence trial run artists was the Pre-Raphaelite Brotherhood, a group cosy up young artists who sought after to term away more of redirect Renaissan

  • john atkinson grimshaw biography of williams

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    Artist John Atkinson Grimshaw

    "John Atkinson Grimshaw was born in Leeds in 1836 and, after overcoming his parents’ resistance to his choice of career, became a highly successful and well-liked oil painter of the nineteenth century, known above all for his painting of urban moonlit landscapes. Much of Grimshaw’s early work demonstrates an inspiration which stemmed from the writings of John Ruskin and the paintings of the pre-Raphaelites. In addition, Grimshaw made good use of the technology of the day by using photography and the camera obscura to help in the composition of his paintings and in the creation of repeats. In the 1860s, Grimshaw became fascinated with the effects of moonlight and sunsets on landscapes, townscapes and dockyards in Glasgow, Liverpool, Whitby, London and Scarborough. So successful were his paintings of these scenes that, in 1870, Grimshaw was able to move with his family to a Jacobean house, Knolstrop Hall, in Leeds. The house and its surroundings became the basis for a number of Grimshaw’s moonlit masterpieces, which he first showed at The Royal Academy in 1874. His work is now exhibited in prestigious galleries and museums around the world. Grimshaw died in 1893 and several of his children also became successful artists of their day."


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    History of John Atkinson Grimshaw

    John Atkinson Grimshaw was an English painter of the Victorian era who is best known for his stunningly beautiful paintings of moonlit landscapes. His work has been described as “romantic,” “atmospheric,” and “picturesque,” and he is often referred to as one of the most talented landscape painters of his time. The nocturnal art of John Atkinson Grimshaw has captivated audiences for well over a century. His unique style of painting night scenes, often featuring tranquil and bustling cityscapes - illuminated by the soft glow of gaslight, is instantly recognizable and beloved by many. Let’s take a closer look at this exceptional artist’s atmospheric nocturnes.

    Born in Leeds in 1836, John Atkinson Grimshaw was the son of a wealthy merchant. He studied art from an early age with local artist William Booth and later attended the Royal Academy Schools in London. After returning to Leeds in 1856, he began exhibiting his work at several galleries throughout England and Scotland. Although he gained some recognition during this period, he struggled financially due to the cost associated with getting his paintings into galleries.

    In order to make ends meet, Grimshaw took on commercial jobs including signs for shops and advertisements for businesses.