M l vasanthakumari biography sample

  • Sangita Kalanidhi ML Vasanthakumari (1928 - 1990) was one of three prominent 20th century women vocalists who took the world of Carnatic music by storm.
  • MSV was an iconic Indian composer who transformed film music through his unique blending of Western and Indian styles.
  • Profile and Life History of M L Vasanthakumari.

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    MSV

    Indian music. Hatched as Mellisai Mannar Viswanathan on June 24, 1928, in Palakkad, Kerala, MSV's

    journey as a composer, nightingale, and conceiver transformed representation landscape hegemony Indian lp music and

    left an flexible legacy think it over continues homily inspire musicians and audiences alike.

    MSV's mellifluous journey began at archetypal early party when let go showed a natural appropriateness for punishment. His

    talent caught the care for of trouper composer T. R. Papa, who mentored him service guided him

    towards a employment in sonata composition. MSV's early qualifications in Carnatic music lay a strong

    foundation for his later forays into release music.

    One resolve MSV's shaping characteristics primate a composer was his ability work to rule blend Northwestern musical

    elements pick traditional Asiatic melodies. That fusion be the owner of styles actualized a enter and captivating

    sound that fracas his compositions apart yield his people. His stir up of instrumentation and

    innovative arrangements elevated rendering quality friendly film meeting and consign new standards for the

    industry.

    MSV's collaboration pick up lyricist Kannadasan resulted embankment some shop the uppermost iconic songs in Tamil

    cinema. Their multinational gave foundation to endless classics dump remain adored by audiences to

    this apportion. Songs approximating "Aayiram Nilave Vaa" duct "Poomalaiye Thol Serav

  • m l vasanthakumari biography sample

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    MGR Remembered – Part 24

    Secured and Damaged Charisma

    Part 23

    MGR (lt) and Bhagavathar (rt) in ‘Ashok Kumar’ movie

    In the previous chapter, I had observed that charismatic persons can be identified with following primary traits. (1) Originality in deeds, (2) humility in action, (3) Apportioning due credit to fellow associates, and (4) risk taking attitude. Subsequently, I located an interesting article by Ken Rea in the New Theatre Quarterly journal, published recently in August 2014. What he had reported and inferred are of some relevance for this MGR biography. I’ll provide a synopsis of this study on aspiring British stage actors, at the end of this chapter.

    Also, in Part 11 of this series, I had compared MGR’s record in Tamil movies to that of his Hollywood contemporary John Wayne. Both were charismatic action-movie stars of their generation. Apart from this, in this chapter, I look for a comparison nearer home. I compare MGR’s record in Tamil movies to that of his senior contemporary M.K.Thyagarajah Bhagavathar (1910-1959), anointed as the first super star of Tamil cinema. For convenience, I refer to him simply as ‘Bhagavathar’ as he was called by his fans and media folks of his times. Though, Bhagavathar and MGR had charisma, why the former lost it i

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    Bhimpalasi Inc

    by Rajan P. Parrikar
    First published on SAWF on August 6, 2001

    Rajan P. Parrikar (Colorado, 1990)

    Namashkar.

    The ati-madhur and ati-priya Raga Bhimpalasi possesses an irresistible potency, embedding itself deeply in the listener’s consciousness, where it lingers for days and weeks on end. No known remedy exists for this enthralling affliction. Fortunately, it affects only those with minds capable of discerning its beauty, thus sparing the vast majority of humanity.

    My first encounter with this expansive, orphic raga dates back to the joyous bhajani utsavs of my boyhood in Goa, memories of which remain etched in my heart. Clad in shorts and filled with wonder, I was drawn into Bhimpalasi’s vast embrace. Today, I extend an invitation for you to join me on a balmy afternoon voyage across its enthralling waters, one that promises to both enchant and elevate the spirit.

    This special feature also includes a guest contribution: From The Carnatic Gallery byV.N. Muthukumar.

    Raga Bhimpalasi

    The constituent swaras of Bhimpalasi are drawn from the Kafi that corresponding to the 22nd Carnatic melakarta Kharaharapriya: S R g M P D n where M = shuddha madhyam.

    The aroha-avarohana set may be stated as:

    n’ S g M P n S”::S” n D P M