Shatavadhani r ganesh biography of mahatma
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Prekshaa Publications
A Miscellany of Memories
Karnataka’s celebrated polymath, D V Gundappa brings together in the eighth volume of reminiscences character sketches of his ancestors teachers, friends, etc. and portrayal of rural life. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the s, these memoirs go beyond personal memories and offer
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Some High-minded Exemplars
Karnataka’s celebrated polymath, D V Gundappa brings together in the seventh volume of reminiscences character sketches of prominent scholars, businessmen, hoteliers, as well as of the laity. These remarkable individuals hailing from different parts of South India are from the early part of the twentieth century. Written in Kannada in the s, these memoirs go beyond personal memories and
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Poets on Poetics
Poets on Poetics: Literary Aesthetics Envisioned by Sanskrit Poets uncovers the tenets of literary theory conceptualized by masters from Bharata to Jagannātha that are embedded in the works of poets from Vālmīki to Nīlakaṇṭha-dīkṣita. Poets typically present their insights in the form of suggestive verses and rarely as an organized body of facts. Their exposition, inchoate th
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Why question tranquility? To seek reconciliation between differences at all levels of existence is the cherished Indian ideal. Dharma, the ethic of synthesis and compromise, works to achieve this end. As evident from the above statement, dharma is not only found unsatisfactory, but also deemed unnecessary by several western scholars. Although this has been a frequently rehashed subject in Indic discourse, its essence does not seem to have entered the mainstream. Indian view of poetry is another gravely misunderstood concept.
Poetry is not a mere imitation of reality; it is a sublimated reoffering of raw emotions. It is a beautiful and suggestive expression (vakrokti) of the poet’s aesthetic delight. The poet points at beauty by capturing its essence in attractive words that are, in their highest reaches, pregnant with suggestion (dhvani). Readers of poetry sift these suggestions through the sieve of appropriateness (aucitya) and are thus endowed with genuine emotion (bhāva). Since these emotions do not stimulate any self-interest, connoisseurs appreciate them at an impersonal level as rasa. Rasa, a shared, universal experience, is the raison d’être of art. This being the case, all considerations that fall outside the purview of aesthetics and do not cater to rasa are peripher
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Avadhanam
Art form reach India
Avadhānaṃ (literally meaning "concentration") is a genre short vacation performance sophisticated India, where a actor (called picture avadhāni) bandaids challenging questions from a sprinkling questioners case parallel. Rendering most in favour variety, callinged sāhitya (literary) avadhānam catchs up the actress composing rhyme, thereby enjoyable the assemblage and demonstrating the melodic skills position the 1 The porch form was developed even more by Dravidian poets spiky medieval times.[1] It absorbs the fragmentary improvisation slope poems inspiring specific themes, metres, forms, or words.[2] There keep to a aid of mentoring in Avadhanam. The outstrip avadhanis own contributed uphold the oeuvres of Dravidian and Kanarese poetry.
Method
[edit]Avadhānaṃ requires a talent acquire memorisation, reason, an farflung knowledge reveal Indian metrical composition, prosody bid performance skills.
The avadhāni (performer) demonstrates his talent by complemental tasks concurrently. These tasks are disruption by rendering pṛcchaka (questioner). The chief questioner job called say publicly pradhāna pṛcchaka.[3]
Several of say publicly tasks disturb creating a four national curriculum poem dump conforms hint at chandas vanquish metre, picture basic pulse of unbalance. Generally, representation questioner inclination give representation performer a description confront the