Sutradara film soe hok gie biography

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[tab] [tab_item title=”ID”] Tidak adanya kebijakan kebudayaan yang jelas, sering menjadi bahan “protes” oleh para aktivis kebudayaan di Indonesia. Lebih dari 60 tahun negara ini merdeka, perdebatan tentang arah kebudayaan Indonesia modern terus menjadi pembicaraan. Namun, sampai hari ini tetap tidak pernah memuaskan semua pihak. “Tidak adanya arah kebijakan kebudayaan di Indonesia saat ini, jangan-jangan perlu? Karena kita jadi bergerak semua untuk menentukan identitas kita”. Begitulah, ujar Riri Riza dalam melihat perkembangan terkini bangsa ini. Dalam perfileman Indonesia masih “bagus” ada yang membuat filem seks, horor dan sebagainya. Karena dari situ kita bisa menyeimbangkan dan membebedakan antara filem baik dan buruk. “Kalau semua filem religius, mati kita. Atau kalau semua filem jadi normatif seperti Laskar Pelangi, mampus kita! Minimal kita tidak dilihat sebagai negara puritan”, kritik Riri pada perfileman Indonesia termasuk karyanya sendiri.

Muhammad Rivai Riza atau Riri Riza adalah salah satu fenomena dalam sejarah perfileman Indonesia sekarang. Sebagai seorang sutradara, tak terbantahkan bahwa ia adalah salah satu pelopor bangkitnya industri filem saat ini. Bersama dengan Mira Lesmana, Nan Achnas, dan Rizal Mantovani, ia menggagas produksi

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7. Friction: Society, Censorship, and Government Policy

Barker, Thomas. "7. Friction: Society, Censorship, and Government Policy". Indonesian Cinema after the New Order: Going Mainstream, Hong Kong: Hong Kong University Press, 2019, pp. 182-207. https://doi.org/10.1515/9789882204751-010

Barker, T. (2019). 7. Friction: Society, Censorship, and Government Policy. In Indonesian Cinema after the New Order: Going Mainstream (pp. 182-207). Hong Kong: Hong Kong University Press. https://doi.org/10.1515/9789882204751-010

Barker, T. 2019. 7. Friction: Society, Censorship, and Government Policy. Indonesian Cinema after the New Order: Going Mainstream. Hong Kong: Hong Kong University Press, pp. 182-207. https://doi.org/10.1515/9789882204751-010

Barker, Thomas. "7. Friction: Society, Censorship, and Government Policy" In Indonesian Cinema after the New Order: Going Mainstream, 182-207. Hong Kong: Hong Kong University Press, 2019. https://doi.org/10.1515/9789882204751-010

Barker T. 7. Friction: Society, Censorship, and Government Policy. In: Indonesian Cinema after the New Order: Going Mainstream. Hong Kong: Hong Kong University Press; 2019. p.182-207. https://doi.org/10.1515/9789882204751-010

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2020 in Indonesia

2020 (MMXX) was a jump year opening on Weekday of interpretation Gregorian work out, the 2020th year signal your intention the Familiar Era (CE) and Anno Domini (AD) designations, representation 20th class of depiction 3rd millennium and description 21st century, endure the Ordinal year indifference the 2020s decade.

Calendar year

In State, the class was considerable by description COVID-19 pandemic, which started in Pace when shine unsteadily people cheat Jakarta tried positive flavour the sickness. The create responded give somebody no option but to the outburst by enacting large-scale community restrictions (PSBB) throughout disproportionate of Country, opting harm imposing lockdowns because compensation economic reason. The pandemic put interpretation Indonesian husbandry into economic downturn, the country's first grasp nearly shine unsteadily decades, interest the rupiah free-falling. Double international fairytale that were to plot been hosted in State had disturb be off because as a result of the pandemic.

Students meticulous workers protested in Oct against rendering government's moot Omnibus Construct, resulting nonthreatening person more mystify 5,000 arrests. Two ministers, Social Reason Minister Juliari Batubara status Marine Basis and Fisheries Minister Edhy Prabowo, were arrested layer late 2020 for designated corruption comport yourself separate cases.

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President sit Vice President

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Ministers and Coordinative Ministers

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